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Men Who Make Deals with Monsters

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Excerpt from the Journal of John Smidley: Collected by T. P. Hade of the Nonhuman Cultural Illumination Project

O-Hambar Oasis, Saaraiah Desert, 8/12/1621 AK

It [the oasis] provides respite for not only body but mind as well. Here the tribesmen reveal their penchant for the arts, primitive though their understanding of aesthetics may be. The best artists display their work on tanned hides, and wait to be commissioned to paint their visions on canvases which will be used to erect the walls of tents. Their methods are simplistic, but lovely to behold. A few broad brushstrokes bring to life the flora of an oasis, a woman carrying water from a well, or a lively scene of tribal warfare. I decided to make a purchase of one of the smaller canvases so that Father could evaluate its worth as a novelty item.

While browsing I came upon a rendering that was as hideous as the other scenes were beautiful. It depicted a pair of creatures formed like starved grey-hounds, but possessing a disturbingly human twist to their limbs. They lacked the fur and tail of a werewolf, and their ears were disproportionately large to their heads. One crouched on four paws while the other stood on two like a man. They stared over some poorly defined precipice which separated them from a pair of men at camp. You could almost see their muscles rippling, the hungry gleam in their eyes as they planned the doom of their prey. I shuddered.

[Our translator] Al-Keffan was with me, to make introductions and school me in the art of bartering. Noticing my expression, he nodded at the artist. He conversed in a tribal tongue, seemingly forgetting my presence, and I could only pray he was not making extravagant offers using the supplies Father had lent me for the expedition. After a time their talk slowed, and they laughed merrily, and I concluded that they must be old friends.

Al-Keffan waved a hand at the ugly painting. “Ashrun knows the ghuls,” he said. “He captures their image, as they watch us. Good spell for increasing alertness. Less trouble from bandits.”

I wasn’t in the mood for more tribal hokum, but the thought of these monstrosities being used to evoke protection piqued my curiosity. It was just the kind of story Father would be able to embellish to up the price of an exotic piece. I addressed Ashrun, saying, “They are real then, these ghuls? What are they?”

Ashrun was older than Al-Keffan, and there was sand in his face and in his voice. “They are the desert’s children,” he said through Al-Keffan. “I give offerings, and they come for me. Every ghul in O-Hambar is a friend.”

His face cracked with a brown-toothed smile.

I was suddenly aware of the cooling air, of the sun’s nearness to setting. The oasis felt less welcoming now that my mind populated it with hungry shapes moving in the darkness. I asked, “How do you keep them away?”

Ashrun gave a sharp, childish laugh. “Have the watchman sit on the food,” he said.

Al-Keffan offered a reassuring smile. “Do not fear,” he said. “If you are harmed while staying here, Ashrun’s ghuls may help you.”

This I doubted very much, but by now I couldn’t help myself. “How so?” I asked.

After more rapid conversation and waving of hands Ashrun settled into a leisurely storytelling pace. In summary, this is his claim, a supposedly true event he participated in five years previously.

The body of a woman was discovered on a well path. She had been strangled under cover of darkness. She had no enemies, and the only clue was a scrap of cloth found clutched in one hand. Unable to identify its owner, the elders summoned Ashrun and had him call for the ghuls.

The creatures hunt in pairs and there are several dens located in and around the oasis. The tribesmen do not disturb these, in order to avoid bad luck as much the formidable teeth and claws. One of these pairs came to Ashrun, and with the elders as witnesses, he gave them the scrap of the murderer’s clothing.

The ghuls revealed the killer’s name using a tribal tongue, which his ancestors had taught them to speak many generations ago. They did not know the man by name or face or scent, as they avoid unfamiliar humans. Al-Keffan called this a “home impression,” a magical ability which allows the ghuls to touch objects such as boundary markers and sense the identity of their owners. The elders confronted the man with their evidence and he confessed. He had chosen his victim at random, hoping no one would draw a connection between them. He was beheaded.

Incredulous, I asked Ashrun how anyone could trust such evidence.

With that same child-like good cheer, he said, “Ghuls are honorable people.”

He said this as if it were the most obvious thing in the world. And that is how you know you are in Saaraiah.

I traded for a painting of a sunset and palm trees.

Next The Ghul QueenPrevious
Excerpt from the Journal of John Smidley: Collected by T. P. Hade of the Nonhuman Cultural Illumination Project
Shasiek territory, Saaraiah Desert, 9/24/1621 AK
Today I met a ghul. The foul thing urinated on my personal tent and vomited in the mess tent. I hesitate to call any day in Saaraiah normal, but this departed further than usual.
Perhaps I should not think too ill of the beast. He could hardly be expected to understand civilized behavior. His master has no such excuse. A Queen shouldn’t belch in front of guests.
Al-Keffan was elated to see his negotiations with the Shasiek come through. He had us rearrange our tents in a pattern which would communicate our status at a glance to their Queen. It felt a silly waste of time given that he could only convince her highness to visit and dine for a few hours.  Barson gave one of his dry little laughs when he saw my tent beside his. The oaf remains ungrateful for Father’s contribut

One of the earliest references made by “civilized society” to the existence of ghouls.

Word count- 845

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